These extraordinary materials make kitchens and bogs blissful

From tactile Volcanic Limestone bathtubs to fine fireclay sinks and exquisite brass taps and fixtures, matchless components outline House of Rohl and its collection of luxurious brands

 

In partnership with Household of Rohl

 

Cleansing, renewing and restoring, combining equally the liquid delight of warm, slipping water with the calming immovability of stone, ceramic and brass, modern kitchens and loos give a gamut of lavish sensations: tactility and compound, alchemy and materiality. This sort of features are at the heart of Home of Rohl and its selection of manufacturers.

Victoria + Albert Volcanic Limestone baths and sinks

‘Amiata’ bathtub

Volcanic Limestone is at the main of Residence of Rohl rest room materiality. The white rock is fashioned when immense warmth and pressure from liquid magma transforms bordering limestone. The result is a earth-course stone of unrivalled energy and beauty, excellent for creating Victoria + Albert bathtubs. 

Flexibility, optimised insulation, liquid and heat retention are all important criteria for toilet supplies.  With just about every Victoria + Albert bathtub, cast from a person single, hand-finished, stone-loaded piece, a thinner wall building and remarkable strength-to-pounds ratio is certain, the materials featuring outstanding strength and resistance to chips and cracks. No creaking or flexing of the tub makes sure a silent, unspoiled soak.    

Color is pure, consistent and normally white. Exterior surfaces of every single Victoria + Albert bathtub can be painted and personalised in a gloss or matte end, and in a wide spectrum of colours to match or enhance encompassing décor. 

Shaws fireclay sinks

Leading, precision craft at Shaws. Above, an artisan hand pours liquid clay into a porous mould

In a silent, distinctly non-volcanic corner of north-west England the craftspeople at Shaws have been creating sinks the exact same way, by hand, for in excess of 100 decades. Using an age-old system passed down as a result of generations, every Shaws sink is a operate of art and the epitome of understated luxurious. 

Materiality is important to a Shaws sink’s building, the thoroughly clean strains and organic designs of its layouts fashioned using the time-honoured ‘slip casting’ technique and regionally sourced fireclay. The preferred course of action is handbook and very expert liquid clay is poured into porous moulds, glazed twice and fired for two times in specially created kilns. 

Shaws ‘Shaker’ sink in matte black

When the newly minted sinks are sufficiently dry, professional hand-finishing begins, by way of an artisanal method of sponging and ‘fettling’ to generate a smooth floor. Only at the time a sink has been still left to bit by bit dry out for a period of time of more than 40 hours, is it considered completely ready for a 1st coat of glaze. A 2nd glaze is extra to improve the sense and sturdiness of the products.  Each sink is then carefully fired in specially made kilns at temperatures of more than 1,200 levels Celsius to finish the manufacture. 

Perrin & Rowe brass faucets and fixtures

A Perrin & Rowe tap in the workshop

To finest express drinking water, successfully and superbly, from exterior supply to expertly formed ceramic vessel, brass – amazing and sleek to the contact – is the perfect material. At the Perrin & Rowe manufacturing unit in the English Midlands, workshops are sure by a passion for common producing craft that defines the brand. 

Each individual product ought to be addressed independently to assure quality. Mass creation has no company amongst its craftspeople who hand-forge brassware taps and sanitaryware from the greatest excellent brass. Perrin & Rowe’s production procedures marry the most up-to-date systems with hand-moulding and hand-sprucing although surfaces are plated to a thickness that exceeds industry expectations, ensuring a deep, protecting coating that is resistant to put on and satisfying to the eye.

‘Brassware is also assembled by hand and each piece is individually water-analyzed,’ say the firm founders.  ‘Our casting plant in Wolverhampton is a single of the last of its kind, carrying on a custom which is over a hundred several years outdated. But what distinguishes us most is our high normal for performance and attractiveness. Due to the fact precision is not our technique. It is our mission.’ 

Property of Rohl

Throughout its portfolio of brand names, Home of Rohl is unstinting in its pursuit of the best materials and remarkable artisanship and engineering. It sees the potential in stone and clay, brass and metal, poured and casted, glazed and fired, and remodeled into the finest of merchandise, bringing brilliance and elegance to kitchens and bogs.  §